J: What are you known for creating?
M: Probably best known are my very colorful large abstract canvas paintings that I’ve been doing for the past ten years. But for the past couple of years I’ve been doing a separate body of work that’s very experimental and textural and mostly small scale.
Looking for Water by Martha Marshall
J: What do you create that people may not know about?
M: A guilty pleasure of mine is collage! I’m endlessly fascinated with the possibilities of collage, and I like to combine cut and glued work with scans of my paintings and drawings, which then morph into digital collages.
J: What are your favorite materials and why?
M: I love to create texture with all kinds of gels and pastes and mediums, and I think the reason they’re my favorite is the great dimension I can get with them. And I like to paint with these on a rigid support. I do buy a lot of my materials from traditional art supply sources, but I also love to find alternative media at the building supply and hardware stores, such as stucco, joint compound, you name it.
J: What inspires your work?
M: The abstract expressionism of the sixties, along with street art, grunge, and graffiti.
J: What other artists/creators do you admire?
M: Hans Hofmann, Adolph Gottlieb, Mark Rothko, William Baziotes, Antoni Tapies, Helen Frankenthaler . . . just a few who come to mind.
Marsh Abstract by Martha Marshall
J: Tell us about where you create.
M: I have a studio in my garage, with big tables and shelves lining the walls. But invariably I find myself setting up everywhere at once. The kitchen table and counter top are so convenient to everything that I like to set up there on occasion. I always work better when there’s music playing. My work tends to take over the whole house.
J: How do you know when a painting/creation is finished?
M: Sometimes I don’t, and have to put it aside for a while and work on something else. Then when I come back to it fresh I can sometimes see what to do next. But when a painting works and resolves itself fast, it’s almost as if all I did was get myself out of the way. The painting tells me when it’s done. Haven’t you had pieces that seemed to paint themselves? That is just the best! More often, it’s a struggle knowing when or where to stop.

Vista by Martha Marshall
J: Where do you show/sell your work?
M: I have a couple of galleries who represent me, and I also sell my mostly smaller work on Etsy. I do some individual commissions and work with art consultants here and there. Amazingly, I’ve gotten commission work from people who saw my website and liked my work. In several cases they weren’t local, but we worked together on digital concepts and then the finished painting was shipped to them. I don’t really sell directly from my website. It serves more as a portfolio to show to galleries and art consultants.
J: Tell us about something you enjoyed making as a child.
M: I will never forget those tempera paints in elementary school and the huge paper we were given to paint on. The paints were smelly but so bright and colorful. And the finger paints! Those were the most wonderful thing.
J: What advice do you have for budding young artists?
M: Remember that you have a unique vision and your job as an artist is to find what that is. Learn as much as you can about artists who have come before you, and also about artists who are working now. Don’t try to copy what they do, but learn a little bit from each one and find your own way. Art collectors, museums, and galleries are always looking for something that is unique and truly authentic.

Cool Breezes by Martha Marshall
J: What goals do you have for yourself as an artist?
M: My goal is to be as successful as I can possibly be as an artist while constantly learning new things. I define success as getting to make a living doing work that I love. I'm not there yet, but getting closer.
J: Do you have a current favorite work of art? What is it, and why is it your favorite?
M: My current favorite piece is a big triptych that I did six or seven years ago. It’s titled “Silence” and is probably the most successful painting I’ve done. I feel the colors really worked well to create a contemplative mood.
Silence by Martha Marshall
J: What new mediums/techniques would you like to try?
M: I want to investigate more found materials and incorporate those into my art, combined with heavier and more textural paint application. I don’t mind if my paintings become more sculptural. They seem headed in that direction already.